Beyond the tides of cynicism and depths of despair
Past the grim ramblings of the evening news
Therin lies a possibility, an opportunity for hope
It comes to you like waves passing by
Like clouds parting, making way for the crisp blue sky
Illusive and temporary, a light shines forth from above
It arrives in many forms, an invitation, a sign which gently awaits
Hope - the spontaneous ecstatic laughter of a child
Hope - the wonder and awe evoked from gazing into the seemingly infinte cosmos
Hope - the beauty of the morning sun radiating through the blossoming trees in the spring
Subtle glimpses of transcendance
Hints of the sublime
Unveiling the divine
All point towards new paths and emergent possibilities
As new horizons dawn upon us
It is through the gaps, that light shines through
Light shines through
I am going to start recording some of my poetry to accompany the text with audio. Here is the audio version of this poem on Spotify.
It seems awfully naïve, and perhaps a bit idealistic to ponder such a question – but in this article I want to explore if art and beauty save the world. What did the existentialist writer Fyodor Dostoyevsky mean by such an ambiguous statement, and how can art make a difference in a world divided by conflict, strife and division?
It was when I was travelling in Europe, and sitting in one of the many breathtaking cathedrals, that I was filled with inner calm – a sense of peace and solitude swept over me. External events and the frivolous pursuits of the everyday world felt insignificant, so trivial. Existential worry and anxiety became drowned out by the beauty and wonder that was revealed to me in that moment. Nothing else mattered.
Great art, that which has been able to stand the test of time, points to the transcendent, the infinite, and the absolute.
Art inflames even a frozen, darkened soul to a high spiritual experience. Through art we are sometimes visited – dimly, briefly – by revelations such as cannot be produced by rational thinking.
Like that little looking-glass from the fairy-tales: look into it and you will see – not yourself – but for one second, the Inaccessible, whither no man can ride, no man fly. And only the soul gives a groan
Throughout history, religions understood that the communal experience of the arts in practices of worship provided us with a glimpse of the sacred. Rituals of worship including art, music, and dance lured people to cherish the spiritual side of human existence. It drew us towards altered states of consciousness and higher truths, unveiling the illusive nature of material things and earthly pursuits. Connecting to something greater than ourselves, awe and beauty signal to us that there was something beyond the limited constructs of the human mind – a reality which words and language cannot fully describe.
Beauty presents us with an ideal to strive towards. Further, it provides us with meaning, our ‘why’ and purpose to help us conquer the many uncertainties in life. Coming to us through flashes of insight or intuition, beauty acts as a signpost which reveals the path towards the good life.
In the final analysis, it is the gift of aspiration as well as of hope.
It is said that Dostoyevsky’s idea of beauty is characterized by the love of God. Jesus’ death and resurrection is one of the many reminders for humanity that redemption, joy and bliss can be found on the other side of suffering. The cross presents us with a symbol of hope, representing the idea that good will always transcend over evil. Our suffering is not in vain, but is a guide towards a higher purpose.
This experience of awe, reverence and beauty in art and in life is of course is not exclusively limited to the domain of religion. Nietzsche, an atheist, was particularly fond of the idea that life itself can be treated as a work of art. Nietzsche thought of humans as inherently creative beings, who wish to assert their individuality by bringing something original and authentic into existence.
Art presents us with the opportunity us to rise above hardship by using difficult experiences as inspiration and raw materials in working towards a more wholesome meaningful life. We turn chaos into order and the apparent randomness of our existence into wonderful harmony. Think of the many great songs that reflect on the common experiences of sorrow, heartbreak or grief.
Through this catharsis we realize we are connected through a common bond with the rest of humanity as we share those same feelings and emotions with others. We hear the same story over and over again just with different words.
Through the pursuit of beauty we shape the world as a home, and in doing so we both amplify our joys and find consolation for our sorrows.
Within this enduring beauty and truth that is illuminated in great art, we can arrive at a better understanding of citizens from different cultures and traditions. Art offers us portals into the worlds of those who are seemingly different from us. Rather than acting in hesitancy or suspicion, we can come towards greater empathy and compassion.
For we all have the same drives to experience beauty, moments of awe and wonder in which our consciousness transforms from ‘me’ to ‘we’ or from ‘I’ to ‘us’. For a brief period, selfish egotism all but vanishes, and new possibilities arrive. A new door opens for us all.
In beauty, and through beauty we are united as one.
Written over 2,000 years ago, Plato’s allegory of the cave in his book The Republic has become increasingly relevant in our hyper-connected digital age. As more and more aspects of our lives become mediated by our digital devices we become further separated from the direct experience. That is, what we can physically see, touch, smell and hear.
Plato provides us with a metaphor in which a group of prisoners do not have contact with the outside world. What they take for ‘reality’ is shadows and images that are projected on the wall. Further, these prisoners are not aware of their situation. The illusions are the only thing they have ever known.
The story continues with one of the prisoners escaping from their chains and ascending into the daylight. At first, they are shocked into a daze from the power of the sun, but with time they gradually adjust their sight to the real objects in front of them. Aware of the illusions they previously experienced, the story concludes with the freed prisoner descending back into cave to persuade the others to break free from their chains and climb into the ‘real world’.
What Plato is suggesting through metaphor is how we can easily we can be persuaded by illusions and superficial reality. We often accept things at face value without critical reflection and rational thought. Trapped in our information ecosystems we become cynical and suspicious of the motives of others when we hear different points of view that differ from our own.
For Plato, the philosopher is the one who is able to transcend their limited perceptions and beliefs to experience a greater more fundamental truth.
The Machine Stops
The allegory of the cave has been portrayed in literature and in films such as The Matrix, The Truman Show and C.S Lewis’ Narnia Chronicles.
However, one short-story inspired by this idea that I want to focus on is E.M Forster’s The Machine Stops.
Written in 1909, it eerily foreshadows the rise of the internet as it ponders some of the technological concerns we face in the modern era.
The story depicts a world in which humans live underground isolated in small rooms, separated from the surface of the earth. The Machine provides for all human needs, and one has no reason or desire to leave their rooms. As described in the story,
There were buttons and switches everywhere — buttons to call for food for music, for clothing. There was the hot-bath button, by pressure of which a basin of (imitation) marble rose out of the floor, filled to the brim with a warm deodorized liquid. There was the cold-bath button. There was the button that produced literature. And there were of course the buttons by which she communicated with her friends. The room, though it contained nothing, was in touch with all that she cared for in the world.
The story contrasts the viewpoints of a mother (Vashti) who is infatuated and indoctrinated by The Machine, and her son (Kuno) who has a desire to escape the confines of the system and experience the real world.
A Look at Technology in the Modern World
Let’s look at some key quotes and themes in the story, and compare them to modern society.
Direct Experience and Original Thought
Beware of first-hand ideas!
Think of how many hours a day you spend looking at screens. Whether its on a computer for work, a phone for social media or a television screen watching our favourite shows. We are constantly looking at the world of projections through our devices.
Further, as I wrote in a previous article, The Age of the Spectacle, the world of appearances that we carefully craft through our online profiles become more important that our experience in the real world.
While we have access to a wealth of knowledge at our finger tips, complex algorithms now personalize what information we see and have access to.
We are drawn towards conformity. If one wants to ignore another perspective or set of ideas all they have to do is stay within own media filter bubble. In a polarized environment, news outlets prioritize views and clicks over truth.
We lose any sense of objectivity.
What is true?
Opinion and fact become indistinguishable.
Progress and the Loss of Human Values
But Humanity, in its desire for comfort, had over-reached itself. It had exploited the riches of nature too far. Quietly and complacently, it was sinking into decadence, and progress had come to mean the progress of the Machine.
In his book Technology and Nihilism, Nolen Gertz looks at how technology in the modern world makes us passive consumers. How often do we question or critically think about the impact that technology plays in our lives?
Building off Nietzsche’s work on nihilism, Getz distinguishes between the individual who actively creates their own values and meaning (active nihilism) versus one who mindlessly accepts the expectations and cultural norms of society (passive nihilism).
For Getz, technology poses a risk to freedom and enables us to evade responsibility. We put too must trust and faith in these machines, and run the risk of not thinking for ourselves.
He draws a parallel to Nietzsche’s critique of religion observing how technology can also be ‘life-denying’. Just like one may reject and neglect their life in this world in the hopes of the afterlife, technology too promises a way out of confronting the issues of our existence and numbing us to suffering.
Running away from the hard realities of life we turn to the endless distractions on our screens in an attempt to escape.
Consequently, we mistakenly think technological progress is equivalent to improvements in human progress, character or well-being. This however is not always the case.
The tech revolution promised us our heart’s desires: everything you want to know at the click of a mouse; the ability to become famous to strangers; anything you want to buy, delivered to your door in days without you having to leave home.
But our happiness has not increased as a result—on the contrary. Mounting evidence shows that media and technology use predict deleterious psychological and physiological outcomes, especially among young people.
The purpose of this article is not to convince one to discard one’s beliefs or abandon technology altogether. It is a call to analyze and seriously consider the things we so easily take for granted in our culture – the things we passively accept.
What illusions do we cling onto? What unfounded assumptions do we refuse to let go? Is it possible for us to look honestly at objections to our beliefs and engage in good faith dialogue with others who may disagree with us?
Perhaps we can aspire to one of the forgotten virtues of our culture – the virtue of humility.
With the advent of ‘smart homes’, ‘smart phones’ and ‘smart cities’, artificial intelligence and virtual reality we need to be cautious. Technology can either be a liberating force or plunge us further into our own deceptions. It can either trap us further into the cave or offer a way out.